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Multiples (even pairs) of any copyright stamp are really scarce. Zonophone was the 'cheap' brand of The Gramophone Co.

A "paste-over" label on obsolete stock of US Regal and Oriole records. 1965 almost always have an Alberts stamp on the back (at least in NZ), usually the bottom right. This type has a background design representing the record company in question, in this case, The Gramophone Co's famous Nipper.

Ideally, the stamp should be retained on the item to which it belongs.

As the stamps are not tied, subsequently proving this juxtaposition is near impossible.

Mechanical copyright royalty stamps, like any other stamp, range from boring to very attractive. Occasionally one can find interesting stamps on an interesting record label. Catalogue data is from the book Stamps on Music, 2007. The ITMC were a German company, better known for the Odeon label, the symbol of which can be seen on each side of the label. We are a small, but (I like to think), sophisticated bunch.

They occur generally in cases like this where the same copyright owner was on both sides of the record, and even then, an individual stamp would normally be applied to both sides. It's a German composition, hence the German AMMRE stamps This one has everything! The stamp bears both the facsimile signature of the artiste Lola Membrives in blue, who was famous enough in her time to get her own "picture label", and the composer Nocera Netto in red. Record: International Talking Machine Co 10407, c.1910, Argentina.

There is little to be gained by retaining common stamps on entire or piece.Piano rolls cannot be displayed in a normal philatelic exhibition frame, yet frequently they have attractive multiples or mixed frankings - medleys were much commoner on rolls than on early records.Cutting off the last 8" or so of the tongue is a happy compromise, and a new paper tongue can be applied to the 'vandalised' roll if it is worth retaining for its musical value.Clifford pressed many short-run labels, usually on contract for particular department stores. The UK is much the same, but 78s are scarcer what with the assorted salvage drives for shellac during the wars.What I still don't understand is the lack of coverage of these stamps by philatelists between their emergence around 1910, and the first tentative articles (queries really) in the early 1980s.

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Usually they are separate stamps, but in this case one stamp covers both. The Mechanical Copyright Protection Society was formed in the UK 1924 and opened a branch in Australia shortly thereafter. They must be quite collectable to have their own catalogue. Glen do you have any beer tax stamps still on the barrel? Australians are lucky here as you have quite a few issuers, who were prolific over quite a few decades. I'd bet if you got yourselves down to you local Sally Army, junk second-hand shop or local weekly household auction place, you'd find a pile of 78s and in that pile would be quite a few records with these stamps.

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